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<title>David Battino on O&apos;Reilly Broadcast</title>
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<id>tag:broadcast.oreilly.com,2008-08-07://53</id>
<updated>2009-10-06T17:51:52Z</updated>

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<entry>
<title>Review: Kerchoonz K-box Portable Speaker</title>
<link rel="alternate" type="text/html" href="http://broadcast.oreilly.com/2009/10/review-kerchoonz-k-box-portabl.html" />
<id>tag:broadcast.oreilly.com,2009://53.38101</id>

<published>2009-10-06T17:51:52Z</published>
<updated>2009-10-06T17:51:52Z</updated>

<summary>Project Bar-B-Q is a great place to discover tomorrow&apos;s audio technology, so I was  intrigued when someone on the mailing list mentioned the new Kerchoonz K-box portable speaker. Could &quot;gel audio technology&quot; really deliver unprecedented bass from a tiny box? The short answer is yes.</summary>
<author>
<name>David Battino</name>
<uri>http://digitalmedia.oreilly.com/pub/au/2032</uri>
</author>

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Project Bar-B-Q is a great place to discover tomorrow&apos;s audio technology, so I was  intrigued when someone on the mailing list mentioned the new Kerchoonz K-box portable speaker. Could &quot;gel audio technology&quot; really deliver unprecedented bass from a tiny box? The short answer is yes.
</content>
</entry>

<entry>
<title>Using Windows 7 for Music Production</title>
<link rel="alternate" type="text/html" href="http://broadcast.oreilly.com/2009/09/using-windows-7-for-music-prod.html" />
<id>tag:broadcast.oreilly.com,2009://53.38066</id>

<published>2009-10-01T06:12:22Z</published>
<updated>2009-10-01T06:12:22Z</updated>

<summary>Cakewalk has been reprogramming PCs into music studios since the days of DOS. Today, CTO Noel Borthwick explained the deep, technical details of how the architectural changes in Windows 7 will help (and sometimes hinder) audio processing. </summary>
<author>
<name>David Battino</name>
<uri>http://digitalmedia.oreilly.com/pub/au/2032</uri>
</author>

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<category term="musictechnology" label="music technology" scheme="http://www.sixapart.com/ns/types#tag" />
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Cakewalk has been reprogramming PCs into music studios since the days of DOS. Today, CTO Noel Borthwick explained the deep, technical details of how the architectural changes in Windows 7 will help (and sometimes hinder) audio processing. 
</content>
</entry>

<entry>
<title>iTunes Ate My Apps ... and How I Got &apos;em Back</title>
<link rel="alternate" type="text/html" href="http://broadcast.oreilly.com/2009/09/itunes-ate-my-apps-and-how-i-g.html" />
<id>tag:broadcast.oreilly.com,2009://53.37919</id>

<published>2009-09-10T07:01:15Z</published>
<updated>2009-09-10T07:01:15Z</updated>

<summary>Today I upgraded from iTunes 8 to 9, and when the new version launched, all my podcasts and iPhone apps were gone. iTunes had moved them (along with some of my music files) to a folder called &quot;Previous iTunes Libraries.&quot; Somehow I managed to wipe them from my iPod Touch as well, but getting them back was easier than I thought. </summary>
<author>
<name>David Battino</name>
<uri>http://digitalmedia.oreilly.com/pub/au/2032</uri>
</author>

<category term="iphoneapp" label="iphone app" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="ipodtouch" label="ipod touch" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="itunes" label="itunes" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="podcast" label="podcast" scheme="http://www.sixapart.com/ns/types#tag" />

<content type="html" xml:lang="en" xml:base="http://broadcast.oreilly.com/">
Today I upgraded from iTunes 8 to 9, and when the new version launched, all my podcasts and iPhone apps were gone. iTunes had moved them (along with some of my music files) to a folder called &quot;Previous iTunes Libraries.&quot; Somehow I managed to wipe them from my iPod Touch as well, but getting them back was easier than I thought. 
</content>
</entry>

<entry>
<title>Time-Lapse Movie with iPhone Soundtrack</title>
<link rel="alternate" type="text/html" href="http://broadcast.oreilly.com/2009/08/time-lapse-movie-iphone-sound.html" />
<id>tag:broadcast.oreilly.com,2009://53.37807</id>

<published>2009-08-24T23:33:09Z</published>
<updated>2009-08-24T23:33:09Z</updated>

<summary>Former O&apos;Reilly web producer Justin Watt just made a surprisingly cool video by combining still photos with a soundtrack made in Looptastic, a $5 iPhone app. (There are also free and 99-cent versions.) Justin used FFmpeg (also free) to sequence the still images, overlay the soundtrack, and render the movie.</summary>
<author>
<name>David Battino</name>
<uri>http://digitalmedia.oreilly.com/pub/au/2032</uri>
</author>

<category term="audio" label="audio" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="photography" label="photography" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="video" label="video" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="web" label="web" scheme="http://www.sixapart.com/ns/types#tag" />

<content type="html" xml:lang="en" xml:base="http://broadcast.oreilly.com/">
Former O&apos;Reilly web producer Justin Watt just made a surprisingly cool video by combining still photos with a soundtrack made in Looptastic, a $5 iPhone app. (There are also free and 99-cent versions.) Justin used FFmpeg (also free) to sequence the still images, overlay the soundtrack, and render the movie.
</content>
</entry>

<entry>
<title>Web Video Hack: Many Movies, One Player</title>
<link rel="alternate" type="text/html" href="http://broadcast.oreilly.com/2009/08/web-video-multiple-movies.html" />
<id>tag:broadcast.oreilly.com,2009://53.37719</id>

<published>2009-08-13T01:28:12Z</published>
<updated>2009-08-13T01:28:12Z</updated>

<summary>Here&apos;s a super-easy way to play multiple movies in the same area on a webpage. No JavaScript required, and it works on iPhone too.</summary>
<author>
<name>David Battino</name>
<uri>http://digitalmedia.oreilly.com/pub/au/2032</uri>
</author>

<category term="audio" label="audio" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="javascript" label="javascript" scheme="http://www.sixapart.com/ns/types#tag" />
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<category term="web" label="web" scheme="http://www.sixapart.com/ns/types#tag" />

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Here&apos;s a super-easy way to play multiple movies in the same area on a webpage. No JavaScript required, and it works on iPhone too.
</content>
</entry>

<entry>
<title>New Tricks for the Zoom H2</title>
<link rel="alternate" type="text/html" href="http://broadcast.oreilly.com/2009/07/new-tricks-for-the-zoom-h2.html" />
<id>tag:broadcast.oreilly.com,2009://53.37584</id>

<published>2009-07-25T00:51:18Z</published>
<updated>2009-07-25T00:51:18Z</updated>

<summary>Zoom packs a staggering number of features into its audio gear. Here are a few that were surprisingly useful when I had to record some magazine and radio demos.</summary>
<author>
<name>David Battino</name>
<uri>http://digitalmedia.oreilly.com/pub/au/2032</uri>
</author>

<category term="audio" label="audio" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="musictechnology" label="music technology" scheme="http://www.sixapart.com/ns/types#tag" />
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<category term="tips" label="tips" scheme="http://www.sixapart.com/ns/types#tag" />

<content type="html" xml:lang="en" xml:base="http://broadcast.oreilly.com/">
Zoom packs a staggering number of features into its audio gear. Here are a few that were surprisingly useful when I had to record some magazine and radio demos.
</content>
</entry>

<entry>
<title>Star Date 2387: Is This Thing On?</title>
<link rel="alternate" type="text/html" href="http://broadcast.oreilly.com/2009/07/star-date-2387-is-this-on.html" />
<id>tag:broadcast.oreilly.com,2009://53.37372</id>

<published>2009-07-01T23:48:42Z</published>
<updated>2009-07-01T23:48:42Z</updated>

<summary>In an amusing press release, Blue Microphones reports that the new Star Trek movie is crawling with its Mouse microphones. Here&apos;s a photo of one apparently recording the young Captain Kirk. Somehow I imagined it would look different.</summary>
<author>
<name>David Battino</name>
<uri>http://digitalmedia.oreilly.com/pub/au/2032</uri>
</author>

<category term="audio" label="audio" scheme="http://www.sixapart.com/ns/types#tag" />
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<content type="html" xml:lang="en" xml:base="http://broadcast.oreilly.com/">
In an amusing press release, Blue Microphones reports that the new Star Trek movie is crawling with its Mouse microphones. Here&apos;s a photo of one apparently recording the young Captain Kirk. Somehow I imagined it would look different.
</content>
</entry>

<entry>
<title>When Google Owns Everything</title>
<link rel="alternate" type="text/html" href="http://broadcast.oreilly.com/2009/06/when-google-owns-everything.html" />
<id>tag:broadcast.oreilly.com,2009://53.37239</id>

<published>2009-06-19T13:30:45Z</published>
<updated>2009-06-19T13:30:45Z</updated>

<summary>Here in Japan, the one available Wi-Fi signal comes with some intriguing restrictions. It&apos;s part of FON, a worldwide system of hotspots comprised of people who share their bandwith -- in this case for $5 a day. But Google services are free, so I&apos;m seeing the Web as Google does. And I want more.</summary>
<author>
<name>David Battino</name>
<uri>http://digitalmedia.oreilly.com/pub/au/2032</uri>
</author>

<category term="google" label="google" scheme="http://www.sixapart.com/ns/types#tag" />
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<category term="wifi" label="wifi" scheme="http://www.sixapart.com/ns/types#tag" />

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Here in Japan, the one available Wi-Fi signal comes with some intriguing restrictions. It&apos;s part of FON, a worldwide system of hotspots comprised of people who share their bandwith -- in this case for $5 a day. But Google services are free, so I&apos;m seeing the Web as Google does. And I want more.
</content>
</entry>

<entry>
<title>iTunes DJ AppleScript: Fade to Next Track</title>
<link rel="alternate" type="text/html" href="http://broadcast.oreilly.com/2009/05/itunes-dj-applescript-fade-to.html" />
<id>tag:broadcast.oreilly.com,2009://53.36379</id>

<published>2009-05-29T20:44:40Z</published>
<updated>2009-05-29T20:44:40Z</updated>

<summary>A radio DJ who runs her set from iTunes asked me if I could modify one of my fade-out AppleScripts. She wanted to end a song on demand and make iTunes crossfade into the next song on the playlist. I...</summary>
<author>
<name>David Battino</name>
<uri>http://digitalmedia.oreilly.com/pub/au/2032</uri>
</author>

<category term="audio" label="audio" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="itunes" label="itunes" scheme="http://www.sixapart.com/ns/types#tag" />
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A radio DJ who runs her set from iTunes asked me if I could modify one of my fade-out AppleScripts. She wanted to end a song on demand and make iTunes crossfade into the next song on the playlist. I...
</content>
</entry>

<entry>
<title>The Modern Way to Put out an Album: NYeT!</title>
<link rel="alternate" type="text/html" href="http://broadcast.oreilly.com/2009/05/modern-way-to-put-out-music.html" />
<id>tag:broadcast.oreilly.com,2009://53.36218</id>

<published>2009-05-13T20:09:57Z</published>
<updated>2009-05-13T20:09:57Z</updated>

<summary>It would be cruel to cite this as another example of the increasing irrelevance of newspapers, but I was honestly stumped by this entry in today&apos;s New York Times crossword: Modern way to put out an album. &quot;P2P&quot; sure didn&apos;t fit.</summary>
<author>
<name>David Battino</name>
<uri>http://digitalmedia.oreilly.com/pub/au/2032</uri>
</author>

<category term="audio" label="audio" scheme="http://www.sixapart.com/ns/types#tag" />
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<category term="newyorktimes" label="new york times" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="publishing" label="publishing" scheme="http://www.sixapart.com/ns/types#tag" />

<content type="html" xml:lang="en" xml:base="http://broadcast.oreilly.com/">
It would be cruel to cite this as another example of the increasing irrelevance of newspapers, but I was honestly stumped by this entry in today&apos;s New York Times crossword: Modern way to put out an album. &quot;P2P&quot; sure didn&apos;t fit.
</content>
</entry>

<entry>
<title>A Hardware Music Keyboard for the iPhone</title>
<link rel="alternate" type="text/html" href="http://broadcast.oreilly.com/2009/05/music-keyboard-for-iphone.html" />
<id>tag:broadcast.oreilly.com,2009://53.36129</id>

<published>2009-05-05T20:18:03Z</published>
<updated>2009-05-05T20:18:03Z</updated>

<summary>There are scads of piano-keyboard apps for the iPhone, but I find the lack of tactile feedback frustrating. With Apple opening the dock connector to outside developers in OS 3, couldn&apos;t someone create a true music keyboard?</summary>
<author>
<name>David Battino</name>
<uri>http://digitalmedia.oreilly.com/pub/au/2032</uri>
</author>

<category term="audio" label="audio" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="iphone" label="iphone" scheme="http://www.sixapart.com/ns/types#tag" />
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<category term="userinterface" label="user interface" scheme="http://www.sixapart.com/ns/types#tag" />

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There are scads of piano-keyboard apps for the iPhone, but I find the lack of tactile feedback frustrating. With Apple opening the dock connector to outside developers in OS 3, couldn&apos;t someone create a true music keyboard?
</content>
</entry>

<entry>
<title>The Virtual Instrument I&apos;d Like to See</title>
<link rel="alternate" type="text/html" href="http://broadcast.oreilly.com/2009/04/a-virtual-instrument-id-like-t.html" />
<id>tag:broadcast.oreilly.com,2009://53.36088</id>

<published>2009-04-30T21:01:43Z</published>
<updated>2009-04-30T21:01:43Z</updated>

<summary>Reading about an audiophile who compared the crackling of vinyl to the coughing of old men at a concert, I started to imagine a virtual audience plugin. What controls would you add?</summary>
<author>
<name>David Battino</name>
<uri>http://digitalmedia.oreilly.com/pub/au/2032</uri>
</author>

<category term="audio" label="audio" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="softwaredesign" label="software design" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="synthesizer" label="synthesizer" scheme="http://www.sixapart.com/ns/types#tag" />

<content type="html" xml:lang="en" xml:base="http://broadcast.oreilly.com/">
Reading about an audiophile who compared the crackling of vinyl to the coughing of old men at a concert, I started to imagine a virtual audience plugin. What controls would you add?
</content>
</entry>

<entry>
<title>iPhone Web Audio Playlist Hack</title>
<link rel="alternate" type="text/html" href="http://broadcast.oreilly.com/2009/04/iphone-web-audio-playlistshtml.html" />
<id>tag:broadcast.oreilly.com,2009://53.35430</id>

<published>2009-04-23T20:31:11Z</published>
<updated>2009-04-23T20:31:11Z</updated>

<summary>Mobile Safari, the iPhone&apos;s web browser, has surprisingly weak audio support. But here&apos;s a hack I discovered to embed audio playlists.</summary>
<author>
<name>David Battino</name>
<uri>http://digitalmedia.oreilly.com/pub/au/2032</uri>
</author>

<category term="audio" label="audio" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="iphone" label="iphone" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="javascript" label="javascript" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="webprogramming" label="web programming" scheme="http://www.sixapart.com/ns/types#tag" />

<content type="html" xml:lang="en" xml:base="http://broadcast.oreilly.com/">
Mobile Safari, the iPhone&apos;s web browser, has surprisingly weak audio support. But here&apos;s a hack I discovered to embed audio playlists.
</content>
</entry>

<entry>
<title>Shippingness vs. Awesomeness</title>
<link rel="alternate" type="text/html" href="http://broadcast.oreilly.com/2009/03/shippingness-vs-awesomeness.html" />
<id>tag:broadcast.oreilly.com,2009://53.35751</id>

<published>2009-03-31T21:14:03Z</published>
<updated>2009-03-31T21:14:03Z</updated>

<summary>Peter Kirn of Create Digital Music posted this terrific graph yesterday, showing that the more appealing the promised product, the longer it will take to ship: The object of Peter&apos;s gear lust was the Teenage Engineering (even the company name...</summary>
<author>
<name>David Battino</name>
<uri>http://digitalmedia.oreilly.com/pub/au/2032</uri>
</author>

<category term="audio" label="audio" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="softwaredesign" label="software design" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="softwaredevelopment" label="software development" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="userinterface" label="user interface" scheme="http://www.sixapart.com/ns/types#tag" />

<content type="html" xml:lang="en" xml:base="http://broadcast.oreilly.com/">
Peter Kirn of Create Digital Music posted this terrific graph yesterday, showing that the more appealing the promised product, the longer it will take to ship: The object of Peter&apos;s gear lust was the Teenage Engineering (even the company name...
</content>
</entry>

<entry>
<title>20 Sounds that Must Live</title>
<link rel="alternate" type="text/html" href="http://broadcast.oreilly.com/2009/03/20-sounds-that-must-live.html" />
<id>tag:broadcast.oreilly.com,2009://53.35740</id>

<published>2009-03-30T23:00:42Z</published>
<updated>2009-03-30T23:00:42Z</updated>

<summary>Ted writes, &quot;Enough with the Martian space-chime echoes! I just want five good bass sounds, five good keyboard sounds, five leads, and five pads that would sound good almost anywhere. If you could only have 20 synth sounds, what would they be?&quot;</summary>
<author>
<name>David Battino</name>
<uri>http://digitalmedia.oreilly.com/pub/au/2032</uri>
</author>

<category term="audio" label="audio" scheme="http://www.sixapart.com/ns/types#tag" />
<category term="musictechnology" label="music technology" scheme="http://www.sixapart.com/ns/types#tag" />
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<category term="workflow" label="workflow" scheme="http://www.sixapart.com/ns/types#tag" />

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Ted writes, &quot;Enough with the Martian space-chime echoes! I just want five good bass sounds, five good keyboard sounds, five leads, and five pads that would sound good almost anywhere. If you could only have 20 synth sounds, what would they be?&quot;
</content>
</entry>

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